hebethen: (Default)
[personal profile] hebethen
Happy Friday all!

I came across Run Away with Me, Girl (Kakeochi Girl) while browsing around pretty randomly and ended up quite enjoying it. It's a four-volume josei manga, with a refreshingly distinct and expressive artstyle, that I would describe as a bit of a subversion of the "S-class romance" trope: grad student Maki's childhood girlfriend Midori, who had seemed to move on as societally acceptable, shows back up in her life pregnant and engaged -- but all is not well in Midori's supposed paradise, and it's time for Maki to get serious about the title drop. The external obstacles are obvious, but I especially appreciated the depiction of their internal conflicts: each of the deuteragonists is at a different point in their journey to overcome the different ways they're inclined to acquiesce to expectations or individual pressures, and I enjoyed the difficult and imperfect ways in which they got in their own and each others' ways as they struggled with the cards they were dealt.

The first three volumes are officially available in English translation as ebooks only, but it looks like the publisher didn't pick up the fourth and final volume, which is of course where a lot of resolution happens. Unfortunate, although of course the fans picked up the slack in their own way. (See comments, I am misinformed!)

Despite the overall happy arc, the manga does cover some fairly heavy stuff and isn't a lighthearted read. Content notes: )
rmc28: Captain Marvel in pilot uniform with her head in the clouds (in the clouds)
[personal profile] rmc28

I finished three books this week which strongly featured f/f romance. In decreasing order of fluffiness:

Sweetest Thing by Natasha West is an f/f rivals-to-lovers romance between two contestants in a fictional TV baking show. Lots of fun with the week-by-week structure, the different contestants and their cakes, and the interaction with the judges. Jodie doesn't let anything get to her, and has a plan for this TV show to launch her own baking business; Robyn bakes as an escape from her worries, and goes on the show partly to escape a relationship dilemma. They've nothing in common except neighbouring baking stations, or so it seems at first.

Thrall by Avon Gale and Roan Parrish is a contemporary retelling of Dracula, in which Lucy Westenra and her girlfriend Mina Murray host a true-crime podcast in New Orleans. Lucy's brother Harker has gone missing while investigating a new dating app for his PhD. Together with their friend Arthur Quincey, they get in touch with his advisor, August Van Helsing. It's been a while since I last read Bram Stoker's Dracula so I'm sure I missed some of the references, but I loved reading this assembly of chat logs, podcast transcripts, forum posts, journals, search histories, etc, which is having a lot of fun playing with the original book and exploring the ideas of vampirism and modernity in the 21st century. (Note that this has a lot of m/m as well as f/f.)

This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone is an SF novella, a part-epistolary romance between two agents, Red & Blue, on opposite sides of said time war. It was very good, frequently violent, weird, sometimes confusing, but came together into a great ending. It's intense and detailed and there's a lot of wordplay, not all of which I got first time around. I know I'm going to read it again soon.

el_staplador: (Default)
[personal profile] el_staplador
This one was sold to me as 'bi teen girl gets pregnant when she and her girlfriend split up, but only has her ex-girlfriend to turn to when she gets thrown out of her home'. Which immediately appealed to me in a nostalgic, school library, kind of a way. (If only Section 28 hadn't been in force at the time. There were plenty of books about teen pregnancy in the school library, but none of them involved anybody being anything other than straight.)

And that was a pretty good summary. The problem was, there wasn't much more to the book than that. Lexi is pregnant. Emily tells her that it's going to ruin her life. Lexi's mother throws her out. Emily takes her in. A deus ex machina in the form of the principled Christian father of a friend solves the money problem. There was very little in terms of character development, and such as there was felt forced. (For example, I really wasn't convinced by the eventual resolution of the relationship storyline, and wasn't reassured that any of the problems that had led to the initial break-up had been solved.)

There was a lot of infodumping about abortion options, and, later, what Lexi could expect in terms of physical symptoms of pregnancy, which was all very laudable, but rather reminded me of the way that The Archers began as a way to distribute news of agricultural developments to farmers. And the prose was very clumsy. Too much showing, not telling, about action, and too much telling, not showing, about emotions and relationships. Although this may just be a YA thing: this is the second one in a row where I've really not been convinced by any of the characters and have found the prose dull. I can't help feeling that our young adults deserve better...
mrs_leary: (green silk dress)
[personal profile] mrs_leary
I really enjoyed reading Breaking Character, a recently released novel by Lee Winter.

My review: A terrific romance that ticks all the boxes. I really enjoyed this tale of how two women, with much in common but also such different characters, found their way towards each other. In many ways the main trope is "opposites attract", but it's also more than that. The world behind the scenes of the entertainment industry felt realistic, which made it particularly irritating how each woman felt such pressure to remain deep in the closet, even in relation to each other. It shouldn't work like that, but I'm all too afraid that it does. On a brighter note, the wide range of secondary characters were a joy to read about.

It's available from Ylva Publishing.
el_staplador: (Default)
[personal profile] el_staplador
The Morning After (Jae) was a readable and engaging story, though it ran entirely on stereotypes and awkwardness. Woman gets blackout drunk escaping from a bad Valentine's Day date, wakes up in unfamiliar bed, and so on.

DNF Play Me A Song (Jessica Kale), which combined a clumsy style with unbelievable and unsympathetic characters. I'm afraid I got exactly what I paid for in this case.
el_staplador: Actress Mary Anne Keeley in a breeches role (breeches)
[personal profile] el_staplador
Following [personal profile] rachelmanija's example from last week, here are some f/f origfics I've particularly enjoyed. Almost all of them were gifts for me - this is largely because I'm feeling lazy and only looking at my gifts page and my bookmarks.

Two with singers:

J'attendrai (1940s Resistance Fighter/Glamorous Wartime Singer) - a dark, bittersweet piece, heavy with mistrust, and beautifully written.

The sadness of having to wait, the sweetness of having someone to wait for...

The Mystery of the Polyglot Diva by categranger (Opera Singer/Opera Singer) - this is a hilarious and touching story told through online and social media.

When world-renowned soprano Emilia Porter surprises a fan by speaking fluent Russian, the celebrity rumor mill goes into overdrive. Gossip soon settles on her handsome co-star Sasha Lermontov, but there are a few surprises in store for the opera world…


And two with mermaids:

The Color of the Sea by prpl_pen (Artist/Mermaid) - a very sweet little story about a lighthouse keeper's niece and the mermaid who's never seen paint before.

An unusually curious and sociable mermaid finds fascination with art--or perhaps it's the artist herself she's most drawn to.

And this one wasn't written for me, but it was also written to the 'Artist/Mermaid' prompt, so it feels as if it was:

Seascape by MiriamKenneath - Short but breathtakingly good.

She was beautiful, and I liked to imagine she could see me there watching her from beneath the swells of the tides and that she yearned to join me. But she never came into the water.
alexseanchai: Katsuki Yuuri wearing a blue jacket and his glasses and holding a poodle, in front of the asexual pride flag with a rainbow heart inset. (Default)
[personal profile] alexseanchai
This week my blog was a stop on the blog tour for the release of Ceillie Simkiss's contemporary f/f novella Learning Curves. I interviewed Ceillie about her own and her leads' neurodivergences and literary preferences.
sholio: sun on winter trees (Default)
[personal profile] sholio
A somewhat mixed review of this cute, romcom-ish contemporary on my DW blog and my Mar Delaney blog.
rachelmanija: (Books: old)
[personal profile] rachelmanija
The Morning After. A novelette by a writer I've been meaning to try. I didn't really like it due to the storyline, but I did enjoy her style quite a bit. Will try some of her novels.
sholio: sun on winter trees (Default)
[personal profile] sholio
A happy review of a thoroughly delightful contemporary lesbian romcom version of Romeo & Juliet at my DW and at my Mar Delaney blog.
rachelmanija: (Books: old)
[personal profile] rachelmanija
An aspiring actress and a gardener meet at the Oregon Shakespeare Festival. Totally adorable, with tons of great (accurate) details. Set the Stage
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[personal profile] scioscribe
Gloriously unrealistic soap opera-esque amnesia is one of my absolute favorite tropes. I Remember You runs with all the different levels of fun, angst, and mystery inherent to its premise and keeps things just a little bit more emotionally complex than it's required to, which made me very happy. The writing is sometimes a little clumsy and the resolution is somewhat rushed, but the overall experience is still very enjoyable.

Following one of fiction's more random head injuries, college senior Cara wakes up in a hospital with no memories of her life past prom night senior year of high school, where she wrapped up a disappointing dance by enjoying Good Omens out in her car and acting as designated driver. Now she's surrounded by people calling her "Care," a nickname she's always hated, she regularly drinks and skips class, she listens to hip-hop, she's friends with a huge group of girls who party and exercise and speak almost exclusively in drawling jokes, and she has no idea what's happened with her life. At least she has this super-hot girlfriend, Bibi, who's sitting by her bedside holding her hand. She always knew she'd come out in college--she'd already almost done it a few times in high school. Now if she can just make sense of the rest of the changes she's gone through...

Of course, the dueling POVs quickly tell us what we've already guessed: Bibi isn't Cara's girlfriend, just her close friend and roommate who is repeatedly reassuring herself that this physical contact "isn't gay." And Cara isn't out at all. That last part adds a bit of genuinely mournful wistfulness to the whole premise, as Cara's biggest disappointment upon realizing how much she's misunderstood is that somehow she still hasn't been confident enough to admit the identity she's always known to the people around her. The misunderstanding about Bibi is well-handled, too: when Bibi (obviously) decides to go along with Cara's presumption and starts finding herself genuinely attracted and attached, she knows she eventually has to admit the tangled circumstances, and Cara doesn't hate her for them, but she does, understandably enough, have trouble trusting her for a while.

I liked how Logan set up the mystery about Cara's personality changes. On the one hand, other characters often point out that it's not unusual for a high school-to-college transition to transform someone, so it's not like there's something sinister about Cara having changed: instead, the reader's unease with it all is rooted in how rapidly the change seems to have occurred. At one point, looking for clues about, at least, what she would have read and liked in the intervening years so she can revisit favorite books she doesn't remember, Cara consults her Goodreads account--only to find out that she hasn't updated it since that night at prom. (Mild spoiler: the mystery thankfully doesn't involve sexual assault in any way, and I appreciated Logan steering wide of that cliche.) There's also some fun with Cara's single recovered memory, where she finally flashes back to a family Christmas where her dad wasn't present, but has trouble figuring out if he really wasn't there or if she's just remembering a moment around the table when he happened to have gone to the bathroom. But they were serving lamb, and he hates lamb. A clue? And why is her older sister confiding ominous secrets to Bibi?

Most of all, I really liked how the dilemmas and the supporting cast were granted a good bit of complexity. Both Cara's parents and Bibi's are heavily flawed but still very human--they have trouble doing what's actually best for their daughters, but they clearly love them. There's no annoying geek superiority over "coolness": Cara really does like hip-hop when she starts listening to it and the raunchy party girl friends are ultimately supportive and the source of lasting attachments. Her emotional journey is about balancing her old self with the parts of her new life she actually likes and would freely choose, not about reclaiming some kind of authorially defined purity.

Also, the sex is pretty hot, and often both funny and emotionally rich. There's a great moment where Cara, who knows how high her own sex drive is, assumes that she and Bibi have basically been banging on every available surface in their apartment and she can't wait to get back to that. Bibi's step-by-step discovery of her own real sexual desires, and therefore of her sexual passion, is also well-done (and again, hot). The first spark of romantic interest between the two of them is a little forced, but both their chemistry and the working-out of their relationship is believable and compelling.

Overall, I Remember You strikes a good balance between fun tropes and valuable complexity and makes for an f/f New Adult romance that genuinely captures the weird, unstable-identity aspects of becoming the person you really are/really want to be.

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