blueshiftofdeath: still life of an apple and halved lemon in a basket (Default)
[personal profile] blueshiftofdeath

This is the sequel to The Lady's Guide to Celestial Mechanics, which I really enjoyed. It follows a new couple: a printer, Agatha (who appeared in the previous book), and a beekeeper, Penelope. Both are middle-aged and more experienced than the characters in The Lady's Guide, which I found refreshing and the primary draw of the story.

There's some political side plots, but they feel kind of irrelevant for most of the book; I thought the book probably could have been a little tighter. Like the previous book, where there was a lot of focus on astronomy and embroidery, there's a lot of focus on printing and beekeeping. I liked that, and the way that it's tied to the other going-ons in the story, although I think they didn't work as strongly on their own as the astronomy/embroidery plots in the previous book.

Overall this was a slow but enjoyable read for me, and I particularly loved the ending. I'm looking forward to the next entry in the series. :-)

el_staplador: (Default)
[personal profile] el_staplador
Well, having been put off this one by the rather arch title, and attracted to it by positive reviews from various places, I eventually picked it up when I visited Gay's The Word in August.

This is a romance between a young astronomer and a countess ten years her senior. Lucy Muchelney has been trained by her father, who at the opening of the book is recently deceased. Catherine St. Day is widowed, a patron of science both depended upon and condescended to by the scientific society to which her husband belonged. Lucy presents herself as a candidate to translate an influential work by a French astronomer, and matters go on from there.

The romance is gentle and tender. Both partners have been hurt before but both are prepared to move past that. There's room for assumptions and misunderstandings, and room to correct them. The sex is frank, uncomplicated, and enjoyed (no mention of 'sin' or 'sinful', a particular pet peeve of mine when it comes to romance).

There is, as might be expected, a very strong feminist message, which worked by positioning Lucy as one of many women scientists facing systemic prejudice and exclusion, not 'the first one ever'. I assume that all the names mentioned were fictional; I did enjoy a shout-out to 'a young woman down the coast' who found a 'lizard skeleton'.

If I'm being picky, there were a few places where the period detail was off (for example, the scene where Lucy visits one of the gentlemen of the Society unchaperoned), and rather too much use of 'the countess', 'the astronomer', 'the younger woman', etc - but overall this is an enjoyable, readable romance.

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