rachelmanija: (Books: old)
[personal profile] rachelmanija
A Song for a New Day review here.

A pandemic causes permanent social distancing in the US. Yes really.

There are two main characters, both queer women, but romance is secondary to worldbuilding and character development. The book had probably the best beginning I've read all year, but the second two-thirds were less strong.

ETA: Er, and it's actually Monday where I am. Aspect of the pandemic apocalypse which Pinsker did not predict: the total loss of the ability to know what day it is.
mllelaurel: (Default)
[personal profile] mllelaurel
A while back, I was introduced to Sarah Pinsker's writing when [personal profile] rachelmanija reviewed the fantastic "And Then There Were (N-One.)" When I learned that Pinsker had a story collection out, I was ecstatic, and it did not disappoint!

It's extremely rare that I read a collection of short stories and like every one, but Pinsker's prose and eye for detail got me every time. Her worldbuilding is evocative, and most importantly, every single character she writes is brimming with heart, soul, and humanity. She writes with a stunning amount of empathy. Her stories feature a vast array of people from different walks of life, but I can't think of a single one with a traditional villain. The stories are united by speculative element, and a bittersweet feeling, where no easy answers are in reach, but humanity keeps going, keeps loving, keeps making music regardless.

Considering I'm reviewing the collection for this community, it should come as no surprise that many of Pinsker's stories feature queer women. What I really love how not-a-big-deal their queerness is. In And We Were Left Darkling, Jo's relationship with her wife, Taya, is strained when Jo starts having recurring dreams of a child they don't have. In the titular Sooner Or Later, Everything Falls Into the Sea, Bay hopes to reunite with her wife, Debra, in a post-apocalyptic landscape. In The Sewell Home for the Temporally Displaced, Marguerite and Judy find love and solace in a stifling institution out of space and time. In Wind Will Rove, Rose mentions a (female) ex who still brings her fresh mint from the greenhouse. In Our Lady of the Open Road, Luce finds herself attracted to a younger musician she meets on tour. And of course we have Sarah, the protagonist of And Then There Were (N-One,) her wife, Mabel, and the many other Sarahs, who may or may not have a Mabel of their own. Even when the relationships aren't central, they always feel warm and believable. Pinsker has a gift for portraying a strong, multifaceted bond in very few words, a skill many romance writers could honestly take a lesson in.

ETA: This is what happens when I post early in the morning. I meant to list some of my favorite stories in this collection, and totally forgot.

In Remembery Day, Kima, a little girl, watches her mother, a war veteran, attend a memorial parade. There's a slow revelation of just what's going on regarding the war which I won't reveal, but it's an emotional gutpunch.

In The Low Hum of Her, Tanya's father builds a golem/automaton of her recently-deceased Bubbe, whose existence then helps the family escape a Europe on the brink of the Holocaust/WWII. Despite the setting, the story isn't depressing, and largely focuses on Tanya's growing bond with this 'New Bubbe.'

(Looking at the last two stories makes me realize I really enjoy how Pinsker writes children. They are neither cutsey nor small adults, but rather understandable if emotionally immature human beings in their own right, and I wish more writers would take note.)

The Sewell Home for the Temporally Displaced may be the shortest story in the collection, but it's impressively evocative for its length.

In Joy, Knowing the Abyss Behind is told from the point of view of Millie, the now-aging wife of an architect who got broken pretty badly by a military project he had to work on in the Cold War era. Every single appearing member of Millie's family is rendered with empathy and nuance, no matter how short their appearance, and the story of just what George, Millie's husband, had to do, as well as her trying and failing to reach out to him, is quietly heartwrenching.

Wind Will Rove takes place on a generation starship, exploring history, transformative works, and how generations develop their identity through the eyes of Rose, a history teacher and musician. I don't normally look at a story themes-first, but the themes in this one were so well-developed and portrayed with so much nuance, I was impressed.

I talked about And Then There Were (N-One) in greater detail in a previous review, so all I'm going to say is I still loved it on re-read. Knowing just what had really happened gave a very different flavor to some scenes, and created a different yet equally satisfying reading experience.

I loved this collection, and highly encourage everyone to check it out!
mllelaurel: (Default)
[personal profile] mllelaurel
Sarah, an insurance adjuster, receives an invitation to a con for interdimensional versions of her. Though she thinks the whole thing is a joke at first, her wife Mabel convinces her to go. The first part of the story is a very believable and frequently funny portrayal of the convention itself. The plot thickens when one of the Sarahs is found dead, and our Sarah, the closest they've got to a detective, gets drawn into the investigation.

I read [personal profile] rachelmanija's review last week and knew this was a must-read for me, as someone who loves time loops, alternate universes, and other variations on a theme, which are often used to reveal the truest parts of a character.

First of all, I loved the use of a genuinely amateur detective. Neither the author nor the character pretends she's a pro at this. She makes very believable mistakes, acknowledges them, sometimes realizes too late she's messed up the evidence. She is also clever, insightful, and cares genuinely for the individuals who make up a fraction of the myriad versions of her. The mystery is engaging, fully thematically integrated, and solid enough to hold up on re-read. All the clues were there for me to discover, though I didn't file all of them properly as I read. The ending revelation felt inevitable and bittersweet. This story was, in short, everything I wanted out of it.

Sarah's relationship with Mabel is largely in the background, but it's ultimately pretty relevant to everything that's going on, and as someone who's seen too much of 'I want adventure but my spouse says don't go,' it was wonderful seeing Mabel encourage Sarah, knowing she'd regret the missed chance if she didn't take it.

Highly, highly recommended.
rachelmanija: (Books: old)
[personal profile] rachelmanija
Review up at my DW of a well-deserving Hugo and Nebula-nominated novella, which you can read for free online. When Seattle insurance investigator Sarah Pinsker is invited to SarahCon, an interdimensional convention for Sarah Pinskers from various timelines, she gets involved in a murder mystery when one of the Sarahs is murdered.

And Then There Were (N-One).

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