Beebo Brinker (Ann Bannon)
Sep. 21st, 2018 05:44 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
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fffridayI have been aware for a long time that this is one of the great lesbian pulp novels, probably second on the f/f classics reading list after The Well of Loneliness, so when Kobo attempted to flog it to me for less than four quid, I accepted gracefully.
Beebo Brinker is a teenage butch Lesbian (this book was first published in the early sixties, and the capital L still reigns), not that she is prepared to admit this for a good quarter of the book. It covers her arrival in Greenwich Village and her first love affairs, which come hard upon each other's heels.
It's a delightful piece of wish fulfilment: if only I had been brave enough to run away to New York at the age of seventeen, it suggests, I too might have had women falling at my feet, might have had a Hollywood star sweep me up and take me away.
I particularly liked Beebo's friendship with Jack, the gay man who befriends her when she first arrives. I was also taken with the subtle way that Bannon portrays the contrast between Beebo's lack of confidence with the way the outside world assumes the opposite; in fact, her youth and inexperience felt very convincing all round.
I was less impressed with the Evil Bisexual Mona. A trope Of Its Time, I suppose, though I fear it still pops up these days.
Beebo Brinker is a teenage butch Lesbian (this book was first published in the early sixties, and the capital L still reigns), not that she is prepared to admit this for a good quarter of the book. It covers her arrival in Greenwich Village and her first love affairs, which come hard upon each other's heels.
It's a delightful piece of wish fulfilment: if only I had been brave enough to run away to New York at the age of seventeen, it suggests, I too might have had women falling at my feet, might have had a Hollywood star sweep me up and take me away.
I particularly liked Beebo's friendship with Jack, the gay man who befriends her when she first arrives. I was also taken with the subtle way that Bannon portrays the contrast between Beebo's lack of confidence with the way the outside world assumes the opposite; in fact, her youth and inexperience felt very convincing all round.
I was less impressed with the Evil Bisexual Mona. A trope Of Its Time, I suppose, though I fear it still pops up these days.
